UNIQUE PRODUCT Shirley Padojenog, 65, says this block of 鈥渢ultul鈥� has sustained their family since her grandfather developed this unique technique of salt-making in their hometown of Jordan in Guimaras a century ago. Tultul is made from ashes of seawater-soaked driftwood flavored with coconut milk. 鈥擱uchelle Denice Demaisip
JORDAN, GUIMARAS, Philippines 鈥� In the coastal village of Hoskyn in the heart of this town in Guimaras, a family has been trying to keep a century-old practice of producing artisanal salt alive.
Shirley 鈥淣enen鈥� Padojenog, 65, is one of the few people who have mastered the art of making 鈥渢ultul,鈥� a block of artisanal salt, also locally known as 鈥渄ukduk,鈥� made from the ashes of driftwood that have been soaked and boiled in seawater and coconut milk.
The legacy of tultul-making dates back to the late 1890s when Padojenog鈥檚 grandfather, Semion Ganila, concocted it to provide for his poor family.
In those days, Guimaras only had a handful of houses, thus opportunities for livelihood were scarce.
Padojenog could not recall how her grandfather came up with the recipe except that he used what was abundant in the area鈥攃oconut and seawater.
She said the final recipe for tultul was a product of trial and error before her grandfather was satisfied with its taste, especially when paired with rice.
Tultul was used to exchange for essentials like bananas, fruits and other crops. This age-old trade, rooted in the quest for survival, laid down the foundation for a tradition that would span generations.
Padojenog was only 10 when she learned how to make tultul through her father after Ganila passed it down to his children. When her father died at the age of 55, Padojenog carried on the tradition along with her uncle, Sarafin Ganila, and cousin, Jomar Ganila.
Jomar, however, had stopped making tultul a few years back due to his asthma. His children did not take the craft as they were busy with other jobs.
TRADITIONAL PROCESS Salted water is poured into lumps of salt as part of the traditional process which the Padojenog family has preserved for generations. 鈥擭ico Lopez/contributor
Lull
Padojenog鈥檚 family, however, was forced to stop making tultul in 2014 when her eldest son, Cherald, decided to focus on their travel and tour business following the influx of tourists to Guimaras.
But tourism took a nose-dive in 2020 when travel restrictions were imposed to stop the spread of COVID-19. Guimaras also suffered from an oil spill in 2020 from a damaged power barge that was anchored off Iloilo.
It was a harsh time for Padojenog who had to resort to scavenging to support her 10 children.
Padojenog, who is separated from her husband, decided to revive their tultul business, hoping that it would help her family as it had done so with her grandfather in the past. She also needed additional income especially that her youngest child would be entering college at Guimaras State University.
The year 2021 marked a return of the Padojenog family to tultul production.
But it was not easy.
Some neighbors, unfamiliar with the family鈥檚 link with the artisanal salt, raised concerns about the constant smoke generated during the almost 16-hour salt-making process.
READY FOR MARKET Shirley Padojenog says ash from burnt driftwood is soaked and filtered to create a concentrated brine, which is later boiled to produce the artisanal salt called 鈥渢ultul鈥�
or 鈥渄ukduk.鈥� 鈥擱uchelle Denice Demaisip
From nature to table
Because of the complaints, the Padojenogs made the tough decision to relocate, ensuring they could pursue the backyard business without interruptions.
The Padojenogs have become used to an early morning routine, where family members are already up by 2 a.m.
The process begins with a selective gathering of 鈥渄agsa鈥� or driftwood that has been soaked in saltwater.
While driftwood is abundant in Jordan, the Padojenogs get only what they need to ensure that this important raw material will not be depleted.
Driftwood and cooking pans are replaced frequently to ensure the salt maintains its distinct grayish-white color, a hallmark of their traditional method.
Collected driftwood pieces are burned and its ashes gathered and placed inside bamboo baskets known as 鈥渒aing.鈥� Seawater is poured over the ash before the mixture is strained.
The strained water is then collected in containers beneath the baskets. The process is repeated multiple times to create a hyperconcentrated solution.
Some of the strained water are mixed with coconut milk (鈥済ata鈥�) to add flavor. The mixture is then poured into a cooking pan where it is slowly cooked for several hours.
As the mixture evaporates due to intense heat, a small amount of the remaining strained water from the kaing is added. The process, although slow, gradually forms salt lumps, or tultul.
The family shells out P15,000 in capital for a batch of Tultul but gets P30,000 in net profit.
A tray of tultul is cut into 16 pieces鈥攁bout the size of a bar of soap鈥攚hich the family sells for P150 each. The family usually makes tultul once or twice a week, depending on the demand.
A block of tultul is portioned and packed in small pieces, the size of a bar of soap, so these can be sold for 鈧�150 apiece. 鈥擭ico Lopez
Word-of-mouth
The Padojenog family doesn鈥檛 want to limit their product to the local market.
Cherald鈥檚 travel and tours business has paved the way for international interest in their products.
His foreign customers began purchasing his products in large quantities after initially buying a handful of tultul.
Impressed by the quality and taste of tultul, they later asked for more.
The Padojenogs rely on the positive word-of-mouth generated by their satisfied customers, allowing their business to reach new markets and audiences around the globe.
Cherald is already seeking advice from the Department of Trade and Industry for a standard packaging, aiming to bring the family product to a wider client base.
There is uncertainty as Padojenog still does not know if any of her 18 grandchildren is willing to continue the family legacy.
But Padojenog and her children are hopeful that younger family members will develop a deep and unwavering passion for salt-making.
鈥淢y grandchildren love making tultul with me; they can鈥檛 wait to start [helping around] after school. We have to be careful, though, because it gets really hot [in the production area], and we don鈥檛 want them to get scalded,鈥� Padojenog said.
But with her dedication, Padojenog is confident that she has done enough to pass down the craft that has symbolized their family鈥檚 roots and resilience.